An ongoing project which includes a hand-made, limited edition, Photographic Artist Book.
Printed entirely with cyanotype, no ink involved.
John Rogers (1829 - 1904) was the most popular sculptor in 19th Centry America.
He created works depicting Socio-Economic Tensions, Voter Suppression, Politics, War and Race Relations.
His work, produced from 1859-1893, speaks directly to current issues.
6x4” tintype
Poll sitter blocks ballot box as he checks the voter registration list.
Digital Reference Image
Covers for the book John Rogers in the 21st Century featuring portrait of Rogers.
Digital Reference Image
John Rogers’ signature, rendered as endpapers for John Rogers in the 21st Century.
10x8" tintype collage
Southern woman swears alligence to the Union in exchange for food.
Sokosh uses the 19th Century photo processes of wet-plate collodion (tintype) and cyanotype to create images of John Rogers’ sculpture groups. Rogers, the most popular American sculptor of the 19th century, is neglected today. His work is remembered as sentimental genre scenes featuring oaths sworn and checkers played. A deeper dive reveals socio-economic tension as a working farmer wins at checkers against a wealthy city slicker and a woman takes an oath of allegiance to the U.S. in exchange for food for her starving child. Voter suppression, politics and race relations appear.
Some of Sokosh's pieces break a group into several images, then composite them to form a graphic impression of the whole. Others make satirical reference to pop culture or celebrate sculptural beauty and expression. He explores the sexual politics he sees in the sculpture groups. including same sex attraction which may or may not have been intended by the sculptor.
Sokosh states: "I am mindful of ethics as I create work using these sculptures. In “Wounded Scout”, for example, an escaping slave is helping a wounded Union soldier. I marvel at two sensitive portraits in a story of race relations, a work unique in the 19th Century. I’m proud to make new work based on these pieces. I honor Rogers’ work, using it as a jumping off point for creating work that re-sets the narrative for new audiences that are far from the white, middle class, heteronormative audience that Rogers was speaking to.”
Rogers was a master of modern marketing. Starting in the 1860’s, he offered his statue groups through mail-order catalogues. These featured engravings, price lists and shipping information. In addition he licensed the right to photograph his groups to create interest through photographic images. At times he sculpted celebrities (see Rip above). It was possible to see a Broadway play (either in New York or on tour) order a statue group featuring the star of the show from the catalog and have it shipped to you home.
The first half of the title: John Rogers in the 21st Century makes reference to the television series Buck Rogers in the 25th Century, (1979-1981) where a sleeping hero awakens in the future. Here, it is the sculpture that re-awakens in a new century with a lot to say.
The second half of the title: Contemporary Issues Seen Through a 19th Century Lens refers to the fact that Sokosh uses a 19th century lens to create these pieces. The title contains a double entendre, as the issues that Rogers handled 150 years ago may be difficult for us to recognize because he viewed them through the 19th century lens of his experience but they are there, current as ever.
John Rogers is an ongoing project which will include a limited edition, hand-made, photographic artist book. Printed entirely with cyanotype, no ink involved.
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All images, design and text © 2020-2024 by David Sokosh.